Time essay on faith and politics
June 25, 2008 | Filed Under Art | Leave a Comment
This was created for the back page essay in Time Magazine that Nancy Gibbs writes bi-monthly.”Abraham Lincoln described the presidency as an office that would drive a man to his knees. We should not be making it harder for Presidents to find solace. And their preachers should be able to mount the pulpit and speak from the heart, without obsessing over what it will look like on YouTube. Is there a reason we can’t get this relationship right?”
NYT’s Book Review cover
May 27, 2008 | Filed Under Art | Leave a Comment
This image accompanied a review by компютри втора употребаScott Turow of the book The Blue Star by Tony Earley. The book takes place in the 40’s and I wanted the image to have the feel of a children’s book illustration from that time. I limited the color palette and used, in part, a printmaking process called polyester lithography that Jo Tyler told me about. This was published March 9th. I’m so enthusiastic about posting as soon as the work is done but I have to wait for it to be published and by then I’ve moved on. Unfortunately most of the articles, at least on the nyt’s site, are not so readily available by then. From here on out I’m going to try and be more timely and organized (see last post:)
Acupuncture for Otto
May 27, 2008 | Filed Under Illustration | Leave a Comment
This was the 22nd image published for Michelle Slatalla’s “Cyberfamilias” column. In this essay she investigated alternative treatments for her aging dog. Otto is a lab, but wiener dogs are funnier and it worked out better in the layout.
This is a great column to do and because of it, in the name of research, I have signed up at Ancestry.com and Twitter (and unsigned), am considering getting organized from zenhabits.net, and with this article have been tempted to get Maddie a page at Dogster.
Tempted.
Lilly Reich
January 29, 2008 | Filed Under Art | 1 Comment
Years ago I used to do a lot of sculpture. Like, 20 years ago. The craft was pretty bad but my concepts were reasonable and occasionally engaging. This object represents my trespass back into the 3d world again and it was a real challenge: I found the third dimension so challenging to navigate that I wonder if I should be allowed drive anymore.
The incentive to create this was an invitation by the Design Council, a support group of the Denver Art Museum. Artists, designers of all stripes, tattooers, landscape architects and other creative folk were asked to make an object. Here’s the clever premise: in a blind drawing we chose an object from the design collection and also an ‘ish’ word. The task was to come up with something inspired by the DAM holding and the ‘ish’ word. The new objects will be auctioned and all proceeds will be acquisition funds for The Department of Architecture, Design & Graphics at the Denver Art Museum.
I was initially bummed when I drew the Barcelona Chair: I didn’t feel it was something I could work with, it’s such an icon. Veneration/Violation, it’s so complicated. The ‘ish’ word I drew was ‘Girlish’, double yuck I thought. I began researching the chair, whose origins I thought I was pretty familiar with, but then I found a couple references to a collaborator that I had not ever heard of. Her name was Lilly Reich. It’s been a long time since I was in school and they may be teaching this now, but given the amount of stuff I found in my searching, she’s still sort of a footnote.
For 10 years van der Rohe and Lilly Reich were collaborators in exhibit and furniture design. Their relationship was also a personal one. And they shared an office:) Apparently wasn’t unusual for a female creative partner to take a back seat, and often not get acknowledged in the creation of the final product. She was the detail person-the tactile person-in the design collaboration. When their relationship ended, so too did his furniture design. Until recently she was mostly forgotten; left as a footnote to discussions of van der Rohe. The good news is that she was recently given a small show of her work at the MoMa and hopefully her contributions will continue to be recognized.
The new object: Lilly Reich Book “12 Pearls”
I was only able to find a couple books concerning Reich’s contribution to design. Wishing to metaphorically add to the Reich catalogue, the new object is a book-like form. The materials, glass and stainless steel, are those that she and van der Rohe exploited to great effect in their furniture and exhibit design. The object has a kinetic aspect to it in reference to the inspiration for the Barcelona Chair, an ancient Egyptian folding chair.
The glass slabs are knit together by an unadorned hinge, the left side representing van der Rohe and the right, Lilly. This new object acknowledges the personal and creative partnership of these two artists. “12 Pearls” represents that fact that there are 12 buttons on each chair seat and back, it’s my assumption that the materials and details were influenced by Lilly. Pure speculation, that. The bird on the right stands in a thicket, holding a pearl. It’s a handsome piece, even if it needs too much explanation. I found this essay from Albert Pfeiffer, Vice President of Design Management about Lilly.
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bull with head resting away from his body, i like to think , temporarily.
January 15, 2008 | Filed Under Art | Leave a Comment
Here’s the most recent painting I’ve finished, it’s currently in the CVA show I mentioned below. My experiment using the golden ratio, it’s 48″ x 77″ 
Center for Visual Arts
January 14, 2008 | Filed Under Art | Leave a Comment
‘Story’ is a 3 person show in downtown Denver that I am included in at the Center for Visual Arts. The other two artists, Brent Green and James Surls are incredible and I’m so happy to be in their company. The connection between the three of us is the use of narrative in the work. The tools for telling the stories are all different; Brent is an animator, James is primarily a sculptor and I paint. My work looks a bit prosaic next to these guys whose work is layered and complicated in the best possible way. Always interesting to see one’s work in a different context.
The show was curated by Jennifer Garner and Cecily Cullen. Most of the work they chose from me had been sold in previous exhibitions and it was interesting to have the pieces assembled together again. The most recent painting in the show I finished in late December. It’s a headless bull. I’m still trying to work out it’s origins.
There’s a review of the show from Mary Chandler at the Rocky Mountain News. Attached is an image from the show entitled ‘Saturn Killing Time”. The image was my response to Goya’s painting “Saturn”
United Airlines Hemispheres
January 14, 2008 | Filed Under Illustration | Leave a Comment
This image was used for the January issue of Hemisphere’s, the art director is Jaimey Easler who is really cool to work with. The subject was the Chinese New Year in Hong Kong.
Amnesty International ‘Justice’ campaign
October 30, 2007 | Filed Under Illustration | Leave a Comment
Justice Without Borders is a project designed to promote international justice. From their site, ” We live in an increasingly globalized and interdependent world. The physical boundaries that separated countries have given way to a global economy, instantaneous communication, the ability to span the globe in less than a day and the proliferation of crimes that have international implications. This phenomenon both necessitates and enables the creation an international system of justice that complements and reinforces national justice systems.”
Jinja Birk, working as the designer on behalf of Amnesty, needed a logo and other collateral materials for the campaign.
New York Times, Michelle Slatalla column
October 29, 2007 | Filed Under Illustration | Leave a Comment
This is the most recent image for Cyber Familias column that is published every other week. Ancestry.com will take your dna and determine what path your people took out of Africa and will also find distant cousins, like perhaps Marie Antoinette.
Retreat
October 29, 2007 | Filed Under Art | 2 Comments
Download Retreat is a stop-motion animation I created with Hugh. The original painting was ink on paper, about 4 ft x 9 ft . It took 7 hours to paint out: dab, take picture, dab, take picture, and yielded over 600 frames. The file is about 2.5 megs in size, so it might take a bit of time to load - also, there’s a little piano music, don’t let that scare you.